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Fantasy Horror: "Not Good for Maidens" by Tori Bovalino

  • Writer: Caroline Hamar
    Caroline Hamar
  • Jan 20
  • 3 min read

Tori Bovalino's "Not Good for Maidens" is a chilling contemporary horror fantasy that reimagines Christina Rossetti's poem "Goblin Market" for modern audiences, weaving a tale of family secrets, forbidden markets, and the terrifying price of temptation.


Set between modern-day Boston and the atmospheric streets of York, England, the novel follows two timelines: Lou, searching for her missing teenage sister in present-day York, and her aunt May's dangerous encounter with the goblin market sixteen years earlier.


Bovalino demonstrates remarkable skill in crafting horror that lingers in readers' minds long after turning the final page. The horror elements range from psychological tension to visceral body horror, with the goblin market scenes being particularly unsettling. The author doesn't shy away from graphic descriptions of violence and transformation, creating deeply disturbing imagery that serves the story rather than feeling gratuitous. The horror level is high (8/10), with several scenes that may be too intense for sensitive readers, including detailed descriptions of body horror, psychological torture, and gore. The book's horror is most effective in its ability to blend supernatural terrors with very human fears about family, loss, and the seductive nature of desire.


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The goblin market itself is masterfully rendered as a place of both allure and revulsion, where temptation and terror walk hand in hand. Bovalino's goblins are not the mischievous creatures of lighter fantasy - they are ancient, cruel beings who view humans as both entertainment and sustenance. Their market operates on rules that feel both archaic and terrifyingly logical, creating a sense of inevitable doom for those who dare to enter unprepared. The author excels at building dread through the market's twisted logic and the way it preys upon human desires.


The novel's dual timeline structure enhances its horror elements by showing how the market's influence echoes through generations. May's past experiences create a growing sense of dread as Lou ventures into the same dangerous territory, while the modern setting makes the ancient horrors feel immediate and relevant. Bovalino uses York's historic architecture and winding streets to create a claustrophobic atmosphere where ancient evils lurk behind modern facades.


What sets this book apart in the horror-fantasy genre is its exploration of generational trauma and family bonds. The horror doesn't just come from the supernatural elements but from the weight of secrets kept to protect loved ones and the devastating consequences of those secrets. The relationship between the women in the story - Lou, May, and Lou's sister - adds emotional depth to the horror, raising the stakes beyond simple survival.


The magic system is dark and visceral, rooted in blood, sacrifice, and ancient bargains. Bovalino's world-building creates a sense that magic has a price that must be paid in flesh and pain, adding to the horror elements of the story. The witchcraft practiced by May and her fellow practitioners is portrayed as both a defense against and a dangerous parallel to the goblin market's temptations.


The novel's pacing builds like a nightmare, starting with unsettling encounters and building to a crescendo of horror in its final acts. Bovalino demonstrates skill in knowing when to show terrifying details and when to let readers' imaginations fill in the gaps. The horror ranges from quiet, creeping dread to moments of shocking violence, creating a varied and effective atmosphere of fear throughout the book.


The writing style itself contributes to the horror, with vivid sensory details that make the uncanny elements feel viscerally real. Descriptions of the market's sounds, smells, and tastes create an immersive experience that pulls readers into its terrifying world. Bovalino's prose is particularly effective in scenes involving the goblins' magical fruits and their horrific effects on human consumers.


For readers interested in the horror level, this book sits firmly in the mature young adult category, with content that may challenge even adult readers. The violence is explicit, the body horror is detailed, and the psychological elements are deeply disturbing. However, these elements serve the story's themes about desire, family, and the price of magic, rather than existing merely for shock value.


"Not Good for Maidens" stands as a remarkable achievement in horror fantasy, offering a fresh and terrifying take on a classic poem while creating its own unique mythology. It's a story that understands how to use horror to explore deeper themes about family, desire, and the dangers of keeping secrets, all while maintaining an atmosphere of relentless dread that will satisfy horror enthusiasts while possibly keeping them awake at night.

 
 
 

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